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“Sometimes it is not bad. I once might have married you for your beauty,—now I marry you for your wealth. Before the Monroes I was placed with a single woman, Leslie Cavendish. “I want to ask you a question,” she said abruptly. Prudence attacked her chicken wing. She pushed. She washed her face twice after making smudgy eyeshadow and lipstick errors. “Don’t you care for Mr. “Stop,” he said. Sooner or later we’ll certainly do something to clean those prisons you told me about—limewash the underside of life. Hitherto she had seen it chiefly in pictures and other works of art, incidentally, and as a thing taken out of life. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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