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Wood, with a message for Lady Trafford. Her two sticks were bare and brown, her snugged canvas drab, her brasses dull, her anchor mottled with rust. She had slapped him away with her free hand and the finger was released suddenly, sending her careening to the floor. A small brickbat was thrown, which struck Jonathan in the face. But was that enough? Dim, formless suspicions of something more vital wandered about his mind. "I have," replied Jonathan. She was nude and horribly maimed. "It was some time before I could get him to move. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Then to the Golden Ball, in the same street.

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