Mr. ’ ‘But I am not stopping you from carrying on your business. They came from every part, from the pit, the circle and the gallery, even from the stalls. He threw the doctor out of the Palazzo on his rear, sending him to the insane plague-infested streets. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. And this time the departure had a tremendous effect of finality. I’ll mention it. On the other hand, you seldom revere your immediate grandfather, unless he has promised to leave you some money. "No, no, Sir," replied Ireton. ’ ‘Not, I trust, Nicholas Charvill?’ ‘Hardly. What do you say to Brighton——” Anna looked at him quietly—and he never finished his sentence.
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