She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. As his eyes adjusted, he was able to make out the great shrouded shapes of the furniture. “That is where I got confused,” he said. " Sir Rowland made no reply, but angrily quickened his pace.
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