In Paris, in July, a raging mob had stormed the Bastille, provoking circumspect aristocrats to uproot themselves and take refuge abroad. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Sepulchre's. Yet, here she was, in the ancient Chinese city, weaving in and out of the narrow streets some scarcely wide enough for two men to walk abreast, streets that boiled and eddied with yellow human beings, who worshipped strange gods, ate strange foods, and diffused strange suffocating smells. Paris copies London. “It isn’t only the dance,” she said. The sky periodically pummeled her with hail pellets as she would pass through the deserted intersections. “I’d rather go as a chorus-girl,” she said.
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