All bad verse—originally the epigram was Lang’s, I believe—is written in a state of emotion. He, who had faced the gale, would have been instantly stifled. The ripple of the water against the boat, as its keel cleaves through the stream—the darkling current hurrying by—the indistinctly-seen craft, of all forms and all sizes, hovering around, and making their way in ghostlike silence, or warning each other of their approach by cries, that, heard from afar, have something doleful in their note—the solemn shadows cast by the bridges—the deeper gloom of the echoing arches—the lights glimmering from the banks—the red reflection thrown upon the waves by a fire kindled on some stationary barge—the tall and fantastic shapes of the houses, as discerned through the obscurity;—these, and other sights and sounds of the same character, give a sombre colour to the thoughts of one who may choose to indulge in meditation at such a time and in such a place. The halls are on the lookout for something new. “You have no right to hold me to a bargain which on your side was a lie. “Please let me drive you home. CHAPTER XXXII.
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