It was a large, littered, self-forgetful apartment, decorated with unframed charcoal sketches by various incipient masters; and an open bookcase, surmounted by plaster casts and the half of a human skull, displayed an odd miscellany of books—Shaw and Swinburne, Tom Jones, Fabian Essays, Pope and Dumas, cheek by jowl. She took her hat from the peg in the corner and began to put it on. Advancing towards Wood, Jonathan fixed his keen gray eyes upon him, and demanded, in a stern tone whether the persons who had taken refuge in the adjoining house, were bailiffs. Then, even as they stood there, the room was plunged into darkness. Then as she drew nearer paint showed upon her face, and a harsh purpose behind the quiet expression of her open countenance, and a sort of unreality in her splendor betrayed itself for which Ann Veronica could not recall the right word—a word, half understood, that lurked and hid in her mind, the word “meretricious.
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