The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. "I can't tell you!" she replied, blushing deeply, and clinching her little hand as tightly as possible; "it's a secret!" "I'll soon find it out, then," he returned, playfully forcing the paper from her grasp. ‘But it is entirely natural that I choose my own country. .
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